Posts Tagged ‘Part’
In Emak Bakia, the mischievous dadaist and surrealist Man Ray pioneered the technique of cameraless filmmaking, exposing lengths of film to light after sprinkling them with pins, grains of salt and other common objects. In its playful use of disparate materials — animation, non-objective shapes, rayograms, unfocused and optically fragmented images — Emak Bakia remains fresh and inspiring nearly 80 years after it was made. Man Ray said he made this one in strict conformity with Surrealist principles. It opens with a series of apparently unrelated shots: grain on film; flowers moving; drawing pins in negative: points of light – out of focus -which order themselves into lines; a signwriter spelling out incomplete sentences; a prism. reflecting bars of light, rotating at different speeds; car headlights, with a huge single eye superimposed over the radiator between them; it blinks; and so on. As the film progresses the car theme becomes dominant: the driver wearing goggles (which mimic the car’s headlights). There follow a series of conventional shots of the car driving down an avenue, intercut with close-ups of sheep (in complete tonal contrast). The car stops -a woman’s legs are seen getting out -the shot is repeated three times, the fourth time it fades and is replaced by a stepped superimposition of all four shots, one following closely on the other. Individual images are striking for their humour and originality, but Ray still apparently felt it necessary to impose a …
Video Rating: 4 / 5
This project is for 3rd grade. This video is for day 1. I incorporate popular music to get the student’s attention. It worked and they loved the video, and were so excited to get started.
Jonas Gerard visits Malta – 15/03/2011
Video Rating: 0 / 5
Norwegian Dadaist Joek Friis’s 1927 classic is here again at last, brought back to life for the general public courtesy of Taped Rugs Productions. Similar in style to the Dadaist/Surrealist films of Hans Richter and Viking Eggeling, Sukkeret Og Pepper (Sugar And Pepper) overlays seemingly disjointed vignettes, smudges, and situations, repeating themes and discarding logic in a bewildering cavalcade of imagery. Avant Garde recording artist Charles Goff III lends a modern interpretation to Friis’s original score, incorporating a wide variety of sounds as well as several Scandanavian voices into the mix. (Part 1 Of 2)
Video Rating: 0 / 5
Welcome to my first ever tutorial. To start off, i thought i would do something easy, so basically this is a tutorial on creating some abstract art in cinema 4D. ***THIS IS A BEGINNER TUTORIAL*** In part 2, i use adobe photoshop to edit it futher, so be sure to watch that! Comment.Rate.Sybscribe! 